gigazaga
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gigazagaI did another video that demos all of the 4-mic kits. It should help you get a good feel for how these kits sound.
http://www.youtube.com/watch?v=kuZP9UDASHI
I hope you enjoy it!
-Bill
Author of www.Groove3.com training videos: Studio One Explained, Studio One Advanced, Ozone Explained. Creator of www.LilacWriter.com songwriting collaboration website.
gigazagaORIGINAL: Whitten
Peter said he set the default panning to where he thought it should be – – but you can do whatever sounds good to you.
Okay. Great! Thanks for asking.
Author of www.Groove3.com training videos: Studio One Explained, Studio One Advanced, Ozone Explained. Creator of www.LilacWriter.com songwriting collaboration website.
gigazagaOkay, great!
I am really enjoying this “The Classic” after one day. I want to spend a bit more time getting familiar with the Nobel and Cooley kit. I also haven’t gotten past the 4-mic setup. I really love that feature.
Author of www.Groove3.com training videos: Studio One Explained, Studio One Advanced, Ozone Explained. Creator of www.LilacWriter.com songwriting collaboration website.
gigazagaORIGINAL: Whitten
A lot of ‘pros’ are using EZdrummer.
Chris,
Do you have any recommendations for setting the panning for the OH mics in the 4-mic setup. In the video I was setting the direct OH mic panning to about 50% and hard panning the one by the floor tom. Do you have any words of wisdom or best practices for that?
Great job on this EXZ!
Bill
Author of www.Groove3.com training videos: Studio One Explained, Studio One Advanced, Ozone Explained. Creator of www.LilacWriter.com songwriting collaboration website.
gigazagaThe Classic EZX sounds fantastic. I did this YouTube video yesterday right after I got it. Some of this is Studio One specific but it does give you an idea of the sound of the 4-mic setup.
http://www.youtube.com/watch?v=X0MyM3DyOKY
Author of www.Groove3.com training videos: Studio One Explained, Studio One Advanced, Ozone Explained. Creator of www.LilacWriter.com songwriting collaboration website.
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