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Viewing 15 replies - 1 through 15 (of 25 total)
  • Rally boy
    Participant

    Dan, it’s only when the vocals are doubled i noticed it a bit…….on “SSSanTTTa”

    Rally boy
    Participant

    Catchy song, well done.

    If i was in a position to be highly critical (i’m not!) i’d say you could try De-Ess the 2nd vocal or take a scoop out of it via EQ….. it would tidy up the Ess’s and T’s a little when the two vox are going.

    Your voice reminds me of Billie Joe Armstrong 😁

    Regards,

    Rally boy
    Participant

    Not my cup of tea but you’ve done well putting it together.

    I like the guitar sound.

    What’s the spooky sound? is it your voice through an effect? or a synth?

    Have you ever heard Gary Numan “Cars” ?

    Regards,

    Rally boy
    Participant

    Thanks. I’ve watched that video.

    I seem to be getting double the tracks in Cubase….. (32 stereo tracks)…… i’ll have another look in case i’ve done something silly.

     

    Thanks

    Rally boy
    Participant

    Thanks ZE.

    the first guitar is just meant to be a little sort of taster-/effect, then the main guitar comes in. If I have two playing the same parts I usually pan different to give width and thicken it a bit.

    yeah I’m happy with drums, particularly the snare. One thing I’ve noticed is how different the same snare can sound in amongst the different parts of the song, where different parts etc are getting played, so EQ is changing etc.

    Have you tried copying your vocal track, compressing each vocal track, and putting a short reverb on one and a long reverb on the other yet?

    Rally boy
    Participant

    here’s a remix I’ve done, and I’ve used/tried a bit of parallel compression on parts of the drum kit, amongst a host of other things that I can’t remember.

    Is it beginning to sound a bit over the top?! I can’t make my mind up.

    Rally boy
    Participant

    Thanks for listening and comments ZeroEmpire.

    I used the pop/rock expansion, which gives two mics on the snare. So i blended them, and bussed them to a channel, EQ’d and compressed with 1176. Probably the sound you like is a bit of spring from the bottom of the snare mic and the character of the 1176, it gives a bit of Snap.

    Guitars i used Line 6 pod box.

    Bass i used two channels, on as a DI, and the other through Ampeg SVT plug in. Again bussed together etc etc like snare.

    Bass at 2.58 was spur of the moment lol………….bass players don’t like being idle!

    From memory my vocal chain is:

    De’esser

    Cambridge EQ

    LA20 compressor

    1176 compressor…… (yes i use two compressors! i wanted vocals right in your face)

    EMT140 plate Reverb.

    I also have a send going to a room reverb with a totally different time on it, this makes the vocal sound bigger.

    Yeah there’s cowbell 8) and wind chimes to give a bit of sparkle entering the Choruses.

    There’s also a reversed lead guitar playing from 3.17ish to fatten it up…..and i used a bit of automation on it /volume and panning.

    Hope that might give you some idea!

    Here’s another i done recently you might like where i’ve used similar plugs/techniques.

    • This post was modified 7 years, 1 month ago by Rally boy.
    Rally boy
    Participant

    Thanks for listening Henrik.

    I actually done backing vox for the last chorus lines, but took them out as i wanted to try personalize the song again, i.e. with single vocal up front.

    Thanks again.

     

    Rally boy
    Participant

    Hi, i’m thinking of moving from EZD2 to Superior 3.

    Just now i have used the Pop/Rock expansion on some older projects in Cubase.

    From what i’ve read these expansions are compatible with SD3?

    So, if i installed SD3 and have EZD2 and expansions installed, what Toontrack version will open up when opening my older music projects?

    If i have to manually change the VSTi from EZ2 to SD3, will i be starting from scratch again regarding mixer settings etc?

     

    Thanks

     

     

    Rally boy
    Participant

    Thanks for listening and commenting Brad.

    The trumpet was my attempt at creating a bit of the feeling of TAPS at US military funerals that i had seen on TV.

    I wrote it in about 30mins and had Rev1.0 an hour or so later! (great when that happens and so much easier when no drums are involved.)

    Thanks again.

    Rally boy
    Participant

    Hi Dan, my songs are never “finished”! lol

    Just listening just now, and yeah the key’s are sitting nicer i think, sideways and they sound back a touch too.

    i think i’d maybe bring a tambo in on the choruses,

    in at 0.49’s
    out at 1.01

    in at 1.36
    out at 1.47 or keep it running through solo / until last verse?

    You should clean up the first half second of the recording too, so that it comes in nice and sharp/clean.

    Honestly, i really like this song and i think you should get it mastered by a pro when it’s done, it will sound great.

    Here’s a song that i think will give you the flavour of what the the mastered version would be like…… listen to the sparkle from the top end and stuff cut out the snare to make it snap a bit. I should be taking my own advice too but there’s no point at the moment really.

    https://www.youtube.com/watch?v=bNKfLINJJ-U

    or send me the file and i’ll have a go at it for you.

    Rally boy
    Participant

    Thanks for the comments Dan, and glad you liked the song. I’ll never be offended by anyone’s comments.

    What’s BGV? lol ……. the symbols?

    Yeah, i could run away with a guitar on vibrato in the middle section, but want to try something else first to add a bit more colour, but i might end up doing guitar, i also think it would fit good.

    I hear you on the morse code at the end, but i did it like that so that the song was finished, but the morse hung on a little longer, so that it sort of brought the beginning of the song/feeling back (and being lost/morse code etc etc……probably doesn’t make sense, but i know what i mean! lol

    Thanks again.

    Rally boy
    Participant

    Thanks for listening Dan.

    Rally boy
    Participant

    Also, don’t upgrade until your existing songs/projects are 100% complete, because if you’ve used a different kit from EZ2 and don’t have the relevant expansion your mixes will be screwed.

    Rally boy
    Participant

    I would say yes it is worth it.

    I’m not sure why but my EZ2 mixes seem to have a bit more clarity about the drums compared to EZ1.

    I wouldn’t buy it on the strength of finding exactly what patterns and more importantly for me fills that you are after, as even with the fill pack i still struggle to find exactly what i’m looking for

    I’ve actually just bougth a cheap elec kit to do my own fills with, and rigged it up to cubase/EZ2 without any major drama, quite a bit of editing required though to get it all knitting and sounding like a drummer, due to velocities etc.

    But as i say, the basic kit sounds are really good., and it’s also quite easy to use. Could be better though with some adjustment, especially for Cubase users.

Viewing 15 replies - 1 through 15 (of 25 total)

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