22

[John]

And do you feel that adjusting the buffer size for that bounce in the DAW is good practice or is that not necessary either?

Well, that’s more for making glitches go away with real-time use. An offline Bounce/Render shouldn’t be affected at all by the Buffer Size.

Glitches/hiccups while playing live may be rectified with larger buffer sizes but then the latency will increase, so there’s that trade-off. Using an M1 MacBook Pro *should* be great for live use, though.
I haven’t played my TD-12 / Hart Pro Kit for ages since it haven’t made it out of the boxes and bags after the studio got rebuilt but I think the E-drum optimised Openness Transitions would be better for my setup and playing style.

BR,
John

John Rammelt - Toontrack
Technical Advisor

[John]

BEST ANSWER

Hi,

I would say that you normally get a reply within 24-48 hours, depending on which day of the week you are contacting Support.
Please check if the reply has ended up in your Junk/Spam folder.

BR,
John

John Rammelt - Toontrack
Technical Advisor

Hi,

I would say that you normally get a reply within 24-48 hours, depending on which day of the week you are contacting Support.
Please check if the reply has ended up in your Junk/Spam folder.

BR,
John

John Rammelt - Toontrack
Technical Advisor

1

Thanked by: hyunji kim

[John]

Hi,

in short: yes. What you hear Bounced through the MultiOut from SD3 to Logic is the same as Bouncing Outputs internally in SD3. Any system strained audio degradation during real-time playback shouldn’t be a problem in either Bounce type, Logic or SD3. I doubt that you should experience this with a fairly new computer though but in the case of it happening, it shouldn’t be gradually, more on or off.

BTW, you haven’t checked ‘Cached mode’ and/or ’16-bit mode’ in the Memory Settings in SD3, have you?

BR,
John

John Rammelt - Toontrack
Technical Advisor

[Author]

Replies