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Home / EZmix Line / EZmix Packs / Big Rock Guitars EZmix Pack
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Big Rock Guitars EZmix Pack

THE SCHOOL OF ROCK GUITAR.

50 unique guitar tones, inspired by the past 40 years of rock.

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Big Rock Guitars EZmix Pack - Image 2

USD39

SKU: TT361 Categories: EZmix Line, EZmix Packs Tags: All you need for your Rock Songs, Guitar & Bass, Guitars, rock solid songs

Some guitarists hit notes thirty, or even forty, years ago that seem to resonate just as vividly now as back then. We’re talking about the icons – the flag bearers of the big guitar tones that changed the fabric of rock and whose legacy to this day keep trickling down to new generations of players across the globe.

This is where the Big Rock Guitars EZmix Pack is rooted – deep in the midst of the bursting ‘70s classic rock scene. But even if this collection blatantly nods at times gone by, it still aims to paint a picture of rock guitar as a whole, vintage or not. This is a tribute on a broader scale – to the amps, the players, the riffs and the past 40 years of guitar-driven music.

Expect all the tones you need for your deafening, tube-sizzling rhythms, your flange-infused twang and, of course, all your soaring leads. Regardless of whether you’re a writer of classic or modern rock – this collection’s got you covered.

Get your guitar out, school’s in session.

  • 50 unique guitar tones
  • Inspired by the past 40 years of rock guitar
  • Both vintage & modern tones
  • Rhythm, clean, lead and effect tones

AUDIO DEMOS

BIG ROCK GUITARS EZMIX PACK
– WALKTHROUGH.

PETE THORN
– “THE FOURTH MODE”

Back when this pack was released, we teamed up with our friends over at JTC Guitar to give you this unique track by the amazing Pete Thorn – recorded using EZmix 2 and the Big Rock Guitars EZmix Pack.

ULF EDLUND
– THE MAN BEHIND THE BIG TONES.

We checked in with Ulf Edlund, Toontrack sound designer by trade – but guitar, amp, cab and stomp box geek at heart!

What did you try to capture with this collection of guitar tones?
Basically i tried to capture as broad of a spectrum as I could within guitar based rock music. From basic rock’n’roll guitar tones to more complex and effect saturated.

Tell us briefly how an EZmix 2 guitar tone is made, from start to finish.
A guitar amp simulation preset in EZmix 2 is an emulation of a complete signal chain that resembles a guitar rig that has been miced up in the studio – from guitar to cabinet via stomp boxes and various chains of effects. For inspiration, I either go for a specific sound from a song, album or a certain player. I can also find something that inspires me in the selection of amp models I have available to choose from. When I have put together the “rig” that I’m going for, I play it and make sure it reacts to my playing the way i expect it to. A guitar tone is not only what you hear when you listen to it, it’s also to a great extent what you feel when you are playing. At my disposal, I have models of dozens of the most used amplifiers and effects as well as a huge selection of emulated speakers. I can also create my own impulse responses of speakers, so our library of speaker emulations is constantly growing. Once I am happy with the response and overall tone, I need to determine what parameters I want to be able to control with the two knobs in EZmix 2. I define the maximum and minimum values for all of them, which in the end allows the user to dial in the amount of saturation for all involved parameters of this specific tone. For example, a knob labelled “Punch” or “Edge” can control ten or more different parameters. It’s a time-consuming process, but well worth it!

You are a guitarist yourself with a big collection of amps. Rank the top-five amps of all time!
Tough question, there are so many builders right now who put out fantastic amps. One classic that stands out and may rank as my personal favorite is the Fender Tweed Deluxe. That has to be the most versatile one-trick pony ever made – and probably one of the most recorded amps as well. The list of players is almost endless. Neil Young, Larry Carlton, Billy Gibbons, The Black Crowes, Mike Campbell, Steve Cropper, Eagles, Beatles, Scotty More…

Even with these numerous amps, you are still an avid EZmix 2 user. In your mind, what is the upside of recording, writing and producing using modulated guitar tones.
To me it’s convenience. It’s fast and I can get a good tone in an instant, without being in a studio environment. In addition, I could never afford or store all the gear that comes in just one EZmix Pack. 50 perfectly dialed amp tones just a mouse-click away is pretty powerful.

It seems like the notes some guitarists hit several decades ago still resonate to this day. What is it with the Jimmy Pages, Jimi Hendrix’s and the Blackmores of the world – is there magic in their tone or is their iconic status a product of popular culture?
They were pioneers and inventors, I think. All of them did things that no one had done before them and that made them a part of the musical evolution.

In closing – flash forward 30 years, what guitarist today will have achieved “icon” status and be revered as highly as those that emerged in the ‘60s and ‘70s?
Like in the past, I think it will be the inventors. Players that inspire other players. It takes more than coming up with something new and original. It needs to be genuine too. So my answer is that anyone reading this still has a shot at becoming immortal!

ulfedlund2

RECORDING DI GUITARS.

A quick video that explains how to best work with EZmix 2 and DI guitars.

THE PRESETS.

Name Instrument Type
5051 Chorused Guitar Electric Amplifier
5152 Dry Guitar Electric Amplifier
Bass Boost Guitar Electric Amplifier
Bottom and Top Guitar Electric Amplifier
Caliber 410 Guitar Electric Amplifier
Chopped Guitar Electric Amplifier
Classic Chorused Guitar Electric Amplifier
Classic Distorted Guitar Electric Amplifier
Clean Octave Guitar Electric Amplifier
Cleanish Delay Guitar Electric Amplifier
Cleanish Reverb Guitar Electric Amplifier
Creamy and Bright Guitar Electric Amplifier
Crunch Octave Guitar Electric Amplifier
Crunchy Drive Guitar Electric Amplifier
Crushed and Delayed Guitar Electric Amplifier
Cutting Edge Guitar Electric Amplifier
Dimension Delay Guitar Electric Amplifier
Distorted Echo Guitar Electric Amplifier
Double Distortion Guitar Electric Amplifier
Dry 30 Guitar Electric Amplifier
Dry 800 Guitar Electric Amplifier
Dry Lead Guitar Electric Amplifier
Eighths Delay Dimension Guitar Electric Amplifier
Eleven Guitar Electric Amplifier
Full Blast Tweed Guitar Electric Amplifier
Fuzz 45 Guitar Electric Amplifier
Fuzz and Flange Guitar Electric Amplifier
Fuzzeration Guitar Electric Amplifier
Fuzzlord Guitar Electric Amplifier
Gain Guitar Electric Amplifier
Glam Punk Guitar Electric Amplifier
Grain Gain Guitar Electric Amplifier
Kind of Clean Guitar Electric Amplifier
Mildly Distorted Guitar Electric Amplifier
Mod Vibes Guitar Electric Amplifier
Nasty Room Guitar Electric Amplifier
Octave Blender Guitar Electric Amplifier
Old Gold Guitar Electric Amplifier
Power Flange Guitar Electric Amplifier
Rhythm Flange Guitar Electric Amplifier
Rhythm Rig Guitar Electric Amplifier
Solid Rock Guitar Electric Amplifier
Stereo Double Delays 1 Guitar Electric Amplifier
Stereo Double Delays 2 Guitar Electric Amplifier
Stereo Lead Delay Guitar Electric Amplifier
Stonah Guitar Electric Amplifier
Throaty Guitar Electric Amplifier
Throaty Sync 16th Guitar Electric Amplifier
Vintage Mids Guitar Electric Amplifier
Zep Too Guitar Electric Amplifier

MAKE YOUR OWN 6 PACK.

Assemble your dream-team of expansions right
away – get the core software bundled with six
EZmix packs. Get more, pay less!

BUNDLE UP
BUNDLE UP
SYSTEM REQUIREMENTS.

This is an expansion product that requires a working copy of EZmix 2 or EZmix 3 to operate.

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*All other manufacturers’ product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack.
These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sampled for Toontrack sound library development.
For a list of current owners of each of these trademarks click here.

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