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THREE QUESTIONS TO…

Norman Garschke, the drummer behind the core MIDI library in Supeiror Drummer 3.

You didn’t only perform the MIDI for Superior Drummer 3, you also sampled the entire core library. How was it sitting through sampling six kits (some several times with different tools), 35 configurations of snares, 27 configurations of bass drums – and on top of that countless cymbals?
It was such a great and unique experience! To capture the different tones and sonic flavors of these fantastic instruments in this extreme detail felt like being in drummer’s paradise. The process required a lot of concentration and focus, though. When sampling in a room this perfectly balanced and with this array of microphones, you actually have to concentrate to a level where your breathing is involved. It’s tedious work to “almost” breathe and still be 100% focused on your task for up to 12 hours straight, but I actually enjoyed every last second of it.

How long did it actually take and do you have any idea of how many hits you stroke?
The process of recording a snare with all velocities and different articulations usually takes a few hours, so you can imagine how much longer it took to record a complete kit with lots of toms, different bass drums, different heads, tunings and cymbals! Oh no, I have really no clue on how many hits I actually played, haha!

How was it to hook up these sounds to your e-kit and playing them for the first time?
It felt totally unreal, I can tell you that! I have played a lot of acoustic drums in my life. These samples felt just as real as sitting behind an actual acoustic kit. I was completely blown away. I was literally back in the room and could hear and feel every little detail of the drums. The response is the best I have ever experienced. For me personally it also had the strange effect of hearing my own recorded strokes while I was playing them. It was magical, like calling yourself on the phone!

MORE TITLES BY NORMAN.

Norman has collaborated on several drum MIDI packs over the years, spanning all kinds of styles. Below is a selection!

AOR Ballad Grooves
AOR Grooves MIDI
Basic Jazz MIDI
Disco Grooves
Eighties Pop Grooves
Funk MIDI
Shuffled Backbeats MIDI
Singer-Songrwriter Grooves
Sixties Pop Grooves


OLA ENGLUND & TRACKER.

Learn how Ola works when converting drum audio to MIDI with Superior Drummer 3 and Tracker.

PRODUCER PROFILE: CHRIS BASEFORD.

What are multi award-winning producer/mixer/engineer Chris Baseford’s best and worst studio moments? Find out here.

INSIDE: THE AYOTTE CLASSIC KIT.

Learn more about this wood-hooped marvel and why we chose to sample it for the Superior Drummer 3 core library.

LOW TRANSIENT BUS.

Try this technique to add more low-end punch to your drum mix.

VALVE DISTORTION BOX.

Add some grit to your mix! In this feature, we dive into the world of the Valve Distortion Box.

VELOCITY CURVE AND GHOST NOTES.

Learn how to save hours of MIDI editing with this smart workaround.

GRID EDITOR CUSTOM SELECTION.

Learn how to use this super-handy new feature in the Grid Editor of Superior Drummer 3.

CUSTOMIZING THE ENVELOPE FOR THE TEMPO.

How to shorten the decay of reverberant drums in Supeiror Drummer 3.

AUDIO DEMO MIXED BY BOB ROCK.

A stunning track, mixed by Bob Rock and featuring the Hard Rock EZX.

NEW EZX RELEASE.

Want Bob Rock’s drum mix on your next song? Here you go.

ARTIST PROFILE: ALAN SACHA LASKOW

Meet Alan Sacha Laskow, Canadian guitar player and multi-talent that makes album-quality productions right from his basement.

ARTIST PROFILE: TOMMY ROGERS.

Meet longtime Toontrack user and Between the Buried and Me singer/keyboardist Tommy Rogers.

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