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THREE QUESTIONS TO…

Norman Garschke, the drummer behind the core MIDI library in Supeiror Drummer 3.

You didn’t only perform the MIDI for Superior Drummer 3, you also sampled the entire core library. How was it sitting through sampling six kits (some several times with different tools), 35 configurations of snares, 27 configurations of bass drums – and on top of that countless cymbals?
It was such a great and unique experience! To capture the different tones and sonic flavors of these fantastic instruments in this extreme detail felt like being in drummer’s paradise. The process required a lot of concentration and focus, though. When sampling in a room this perfectly balanced and with this array of microphones, you actually have to concentrate to a level where your breathing is involved. It’s tedious work to “almost” breathe and still be 100% focused on your task for up to 12 hours straight, but I actually enjoyed every last second of it.

How long did it actually take and do you have any idea of how many hits you stroke?
The process of recording a snare with all velocities and different articulations usually takes a few hours, so you can imagine how much longer it took to record a complete kit with lots of toms, different bass drums, different heads, tunings and cymbals! Oh no, I have really no clue on how many hits I actually played, haha!

How was it to hook up these sounds to your e-kit and playing them for the first time?
It felt totally unreal, I can tell you that! I have played a lot of acoustic drums in my life. These samples felt just as real as sitting behind an actual acoustic kit. I was completely blown away. I was literally back in the room and could hear and feel every little detail of the drums. The response is the best I have ever experienced. For me personally it also had the strange effect of hearing my own recorded strokes while I was playing them. It was magical, like calling yourself on the phone!

MORE TITLES BY NORMAN.

Norman has collaborated on several drum MIDI packs over the years, spanning all kinds of styles. Below is a selection!

AOR Ballad Grooves
AOR Grooves MIDI
Basic Jazz MIDI
Disco Grooves
Eighties Pop Grooves
Funk MIDI
Shuffled Backbeats MIDI
Singer-Songrwriter Grooves
Sixties Pop Grooves


PRODUCER PROFILE: WILL YIP.

Meet Will Yip, producer/engineer/mixer behind bands like Code Orange, Panic! at the Disco, Circa Survive and many, many more.

ARTIST PROFILE: ALEX SKOLNICK (TESTAMENT).

Learn how Alex got started, all about his creative process, other projects and his impressive career with Testament!

UNEARTH – PLAYTHROUGH VIDEO.

Watch Ken from Unearth rip through a brand new song – remixed using the Drums of Destruction EZX!

NEW DRUM MIDI FOR PROGRESSIVE METAL.

We’re proud to present the Progressive Metal MIDI pack by Jay Postones of TesseracT!

THE TOONTRACK WORLD BAND.

What happens when you have six incredibly talented musicians from around the globe collaborate on a song by each writing one part?

NEW SONG FEAT. THE PROGRESSIVE FOUNDRY SDX.

MENDEL is back with a new, stunning production.

GUITAR PLAYTHROUGH FEAT. MENDEL BIJ DE LEIJ.

Watch and hear Aborted guitarist rip through this song – featuring two Metal Month releases!

ARTIST PROFILE: ALISSA WHITE-GLUZ.

Get lowdown on Alissa’s musical history, the status of her current solo project and much, much more!

RECREATING THE “LEVEE BREAKS” DRUM SOUND.

Can we recreate the iconic “When the Levee Breaks” drum sound with Superior Drummer 3?

OLA ENGLUND TRYING STUFF OUT.

Ola tries out the Modern Metal Guitars EZmix pack and the Drums of Destruction EZX!

THE METAL FOUNDRY SDX – THE DRUMS.

Here’s a new video outlining the drum content in one of our most classic SDXs: The Metal Foundry!

NEW EZMIX PACK RELEASE.

We’re proud to present 50 brand new guitar and bass tones for metal!

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