Up to 20% off all individual MIDI packs for drums, EZkeys and EZbass!*

Up to 20% off all individual MIDI packs for drums, EZkeys and EZbass!*

Up to 20% off all individual MIDI packs for drums, EZkeys and EZbass!*

LOW TRANSIENT BUS.

Parallel busses are a great way to incorporate audio processing without being too destructive to the original source. It’s currently extremely common use parallel compression busses, but parallel processing can be used for any type of effect. In this article, I go over a technique that can provide more low-end punch to your drum mix, with what I call a “parallel low transient bus”.

In the attached downloadable project file, you will see that I have sent all low-end producing instruments in the drum kit to a stereo buss channel that I’ve re-named Low Transient. This includes all Kick channels and the close microphones on the toms. I’m only using close microphones because I’m most interested in getting more of the initial transient of the sound and none of the room tone. Also, I’ve used a send because I want to leave the clean channel output signal unaffected and routed to the master (i.e. in parallel).

The first insert on this channel is an EQ that uses a low pass filter to focus in on the frequencies that I want to accentuate. In this case it’s a gentle high end roll off starting at 160 Hz. This slope and frequency of the roll off is crucial. I chose this frequency based on the low-end that is present in the selected Gretsch kit. If you set the roll off frequency too high, the sound will be muddy. I also found that using a gentle slope made the added low-end more transparent.

Next in the chain is the Transient plug-in. Here I have added attack and decreased sustain as much as possible. Keeping the sustain low will also reduce the muddiness of the added low-end.

Finally I’ve added a Valve Distortion Box to add some grit and harmonics to the low end transient. This will also increase its perceived volume and makes the effect generally less subtle.

To hear this effect, simply play the groove on the song track and then raise the Low Transient buss. It’s subtle, but when muted you will really notice! Also, since we are dealing with low frequencies, please make sure to use good headphones or proper studio monitors for listening, as laptop speakers are not going to cut it.

Happy mixing!

DOWNLOAD PROJECT FILE

Mike Sanfillipp


SUPERIOR DRUMMER 3.1 – UPDATES & NEW FEATURES!

In this video, we give you a glance of what’s new in the latest Superior Drummer 3 update.

NEW DRUM MIDI RELEASE.

Piano playing variations for dramatic songs or scores.

NEW EZKEYS RELEASE.

A hybrid instrument for modern pop, ambient soundscapes and soundtracks.

NEW EZKEYS MIDI RELEASE.

Piano ideas for songs that emote, provoke – and uplift.

NEW DRUM MIDI RELEASE.

Grooves and fills inspired by the icons of rock.

SELECTING NOTE DIVISIONS IN TRACKER.

Learn how to select note divisions in Tracker in Superior Drummer 3.

CC AND MIDI LEARN.

Learn how to work with the 'CC' and 'MIDI learn' in Superior Drummer 3.

WORKING WITH THE TIME OFFSET FEATURE.

Learn how to work with the 'Time Offset' feature in Superior Drummer 3.

NEW DRUM MIDI RELEASE.

Pop grooves and fills inspired by the ’60s pop and rock revolution.

NEW EZKEYS MIDI RELEASE.

Piano MIDI inspired by the pop explosion of the 1960s.

ANNOUNCING – EZKEYS DREAM MACHINE.

A new arrival in the EZkeys family!

SUPERIOR DRUMMER 3.1.1 UPDATE.

Important bug fixes and general updates.

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