FIVE QUESTIONS TO… ANDY SNEAP.

Since you started touring with Judas Priest in 2018, you’ve been on the road non-stop. What’s it been like?
It’s been a lot of fun. It was a very steep learning curve in regards the amount of material and time we had before the first show, but I’d say after about ten to 15 shows it all started to settle in a bit. I really didn’t think I’d ever get the chance to travel and play at this level, so I’m enjoying the experience.

You also recorded and produced the band’s latest album. What’s it like recording a band that you’re so closely related to on a personal level?
It’s very relaxed actually, we took our time with this album by slotting sessions in between touring and we even tracked bits on the road during days off. You tend to waste a lot of time on the road, so it was nice having something to focus on in the downtime.

Since devoting a big chunk of your time to Judas Priest, you have stepped back a little from making records for other bands. Do you miss the back-to-back production schedule at all?
No absolutely not. I hate that and, in fact, this whole situation with Priest came along at the right time for me. I was getting so fed up with the studio side of things so it’s enabled me to step back from it a bit, which is great as its fun again when we do go into the studio. It’s a good balance for me now.

The products you recorded with us are amazing. Are those the sounds you usually turn to when using EZdrummer and/or Superior Drummer in your work?
Sometimes, it all depends what I’m after really. There’s such a great variation across all the different packs that if I need a different snare with more ring, for example, or a larger room, it’s usually pretty easy to dial in. I’ll make a MIDI track of each drum, so when it comes to mix it’s easy to create a fake room or audition or blend in another kick or snare in a just few minutes.

What’s next on your agenda?
I’ve just finished the new Saxon album and I’m just doing the mix on the new Accept album. I should have that done by the end of the month, so I’m taking December off. In January I’ll start learning new songs for the Priest tour. We start rehearsals mid February and then we begin the touring in the UK in March. We have the rest of the year lined up on the road then.

CHECK OUT THESE TITLES BY ANDY SNEAP.

Metal Machine EZX | Metal Machinery SDX | Andy Sneap EZmix Pack


OLA ENGLUND & TRACKER.

Learn how Ola works when converting drum audio to MIDI with Superior Drummer 3 and Tracker.

PRODUCER PROFILE: CHRIS BASEFORD.

What are multi award-winning producer/mixer/engineer Chris Baseford’s best and worst studio moments? Find out here.

INSIDE: THE AYOTTE CLASSIC KIT.

Learn more about this wood-hooped marvel and why we chose to sample it for the Superior Drummer 3 core library.

LOW TRANSIENT BUS.

Try this technique to add more low-end punch to your drum mix.

VALVE DISTORTION BOX.

Add some grit to your mix! In this feature, we dive into the world of the Valve Distortion Box.

VELOCITY CURVE AND GHOST NOTES.

Learn how to save hours of MIDI editing with this smart workaround.

GRID EDITOR CUSTOM SELECTION.

Learn how to use this super-handy new feature in the Grid Editor of Superior Drummer 3.

CUSTOMIZING THE ENVELOPE FOR THE TEMPO.

How to shorten the decay of reverberant drums in Supeiror Drummer 3.

AUDIO DEMO MIXED BY BOB ROCK.

A stunning track, mixed by Bob Rock and featuring the Hard Rock EZX.

NEW EZX RELEASE.

Want Bob Rock’s drum mix on your next song? Here you go.

ARTIST PROFILE: ALAN SACHA LASKOW

Meet Alan Sacha Laskow, Canadian guitar player and multi-talent that makes album-quality productions right from his basement.

ARTIST PROFILE: TOMMY ROGERS.

Meet longtime Toontrack user and Between the Buried and Me singer/keyboardist Tommy Rogers.

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