FIVE QUESTIONS TO… ANDY SNEAP.

Since you started touring with Judas Priest in 2018, you’ve been on the road non-stop. What’s it been like?
It’s been a lot of fun. It was a very steep learning curve in regards the amount of material and time we had before the first show, but I’d say after about ten to 15 shows it all started to settle in a bit. I really didn’t think I’d ever get the chance to travel and play at this level, so I’m enjoying the experience.

You also recorded and produced the band’s latest album. What’s it like recording a band that you’re so closely related to on a personal level?
It’s very relaxed actually, we took our time with this album by slotting sessions in between touring and we even tracked bits on the road during days off. You tend to waste a lot of time on the road, so it was nice having something to focus on in the downtime.

Since devoting a big chunk of your time to Judas Priest, you have stepped back a little from making records for other bands. Do you miss the back-to-back production schedule at all?
No absolutely not. I hate that and, in fact, this whole situation with Priest came along at the right time for me. I was getting so fed up with the studio side of things so it’s enabled me to step back from it a bit, which is great as its fun again when we do go into the studio. It’s a good balance for me now.

The products you recorded with us are amazing. Are those the sounds you usually turn to when using EZdrummer and/or Superior Drummer in your work?
Sometimes, it all depends what I’m after really. There’s such a great variation across all the different packs that if I need a different snare with more ring, for example, or a larger room, it’s usually pretty easy to dial in. I’ll make a MIDI track of each drum, so when it comes to mix it’s easy to create a fake room or audition or blend in another kick or snare in a just few minutes.

What’s next on your agenda?
I’ve just finished the new Saxon album and I’m just doing the mix on the new Accept album. I should have that done by the end of the month, so I’m taking December off. In January I’ll start learning new songs for the Priest tour. We start rehearsals mid February and then we begin the touring in the UK in March. We have the rest of the year lined up on the road then.

CHECK OUT THESE TITLES BY ANDY SNEAP.

Metal Machine EZX | Metal Machinery SDX | Andy Sneap EZmix Pack


IN THE STUDIO WITH DAVID WALLIMANN & CHRIS LIEPE.

Hang out in the studio with David Wallimann and Chris Liepe as they try out the Tracker feature and more in Superior Drummer 3.

GETTING CREATIVE WITH THE OVERHEADS.

Watch and learn as Mike teaches you a nice trick for using different overheads on various elements of your kit in Superior Drummer 3.

INSIDE: THE PREMIER GENISTA KIT.

Get behind the heads and hoops of another kit in the Superior Drummer 3 core library: the Premier Genista.

RIVAL FIRE REMIX FEAT. SUPERIOR DRUMMER 3.

Listen to “Slave” by new stars on Aussie rock heaven, Rival Fire.

ARTIST PROFILE: RIVAL FIRE.

Meet up and coming rock powerhouse Rival Fire.

PRODUCING BEATS WITH SEAN DIVINE.

Stacking, mixing and matching feat. Superior Drummer 3 and hip-hop mastermind Sean Divine.

MODERN DRUM MIXING WITH SEAMLESS.

Learn how electronic guru Seamless goes about producing his eclectic beats using Superior Drummer 3 and various production techniques.

MEET MARK WILLOTT – EMMY-WINNING COMPOSER.

Emmy Award-winning composer Mark Willott talks about his musical journey and workflow using Toontrack products.

INSIDE: THE PEARL MASTERWORKS KIT.

Can a drum kit have sonic superpowers? Indeed! Learn more about what we call the Spiderman kit!

NEW EZKEYS MIDI RELEASE.

A creative toolbox of ideas for any writer of pop, rock, scores or commercial soundtracks.

THREE QUESTIONS TO…

…Steve Rivers, up and coming country artist and avid Superior Drummer 3 user. New song inside!

ARTIST PROFILE: POINT NORTH.

Meet up and coming pop/punk band Point North and listen to one of their songs, remixed using Superior Drummer 3.

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