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[Robert Paten]

I have had similar thoughts recently from a programming/ mixing perspective. A lot of the midi packs seem to have their velocities maxed out on repeating hits.

Another drum library company stated their max velocities were just that – not really playable consistently and are for one-off hits. They also go on to say that when mixing you get a lot of attack but choke the drum etc with some suggested velocities to use. I am looking for something similar from TT I.e what would be a suitable range of velocities to work with in a rock/ metal context or are the samples even captured in the same way.

[Robert Paten]

I just had a listen and they got a point. The piccolo has a lot of depth to it whilst the 7×13 whilst doesn’t and sounds higher pitched (no indication to say it is high tuned like the Tama Brass). Easily could have been an oversight and should be brought to TT’s attention.

[Robert Paten]

I’d like something with a focus on cymbals. More variety (unique stacks, particularly dry cymbals) and sampled in multiple places within the stereo field so you could configure the placement with ease.

SDX fusion

[Robert Paten]

Did anyone find an answer to this? Im trying to record a Plini cover that uses septuplets and loathe using a piano roll to programme

[Author]

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