kenny.fowler
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Topics Started: 1
Replies Created: 7
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kenny.fowlerthe td-27 hihat max velocity is set to 90 by default, that could be the issue why SD3 is playing an open hihat, you can change that in the module system > triggers > hihat or you can calibrate the hihat in SD3 which would remap the module scale from 0-90 to 0-127 (i think thats the better option since you already recorded with max velocity 90)
kenny.fowlerI struggled too the first time, I remember I needed to switch 2 settings in the TD-27:
USB Driver was installed automatically on first connection (Windows 10).
And the audio/midi settings are only available in standalone mode, you need to set this up in your DAW.
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Thanked by: drdrumkenny.fowlerI have done the calibration and Superior Drummer reports the cc max value as 90. Even after saving this the problem persists.
hmm thats odd its still not working… its true, SD3 receives only 90 as max value, thats why you need to hit the calibration button in the hihat settings of SD3, you then need open and close the hihat one time and SD3 will then remap the 0-90 range to 0-127.
But yes, you can also switch the range in the TD-27 module to 127, its under trigger > hihat (my experience is that leaving the range a 0-90 works a little bit smoother with a calibrated SD3)
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Thanked by: adam4585 and kachalookenny.fowlerI had exactly the same issue, but it was the usb/asio connection to my TD-27 module (which I’m using as my audio interface). I always needed to disconnect my TD-27 (usb cable), then start SD3, then connect the TD-27 again and reselect the TD-27 as my audio interface (this worked most of the time, still SD3 sometimes crashed even then).
Since I use Reaper as a host I never had any issues again.
kenny.fowlerSo, after a looooooot of research, lots of trial and error, trying to optimize my hihat settings on the TD-27 and in SD3, I gave MintberryCrunch’s fix a shot.
And it worked pretty well.
During the lengthy setup session/chat he also explained a lot of new things to me, gave me some advices and additionally improved my latency (yay!)… so no regrets on my side.
You get a DAW project, preconfigured with SD3 and his workaround, which also needs some extra files which you get from him. Its solid.
If you struggle and annoyed like me, reach out to him, he’s ok, a passionated pro …and yeah, dont blame him he takes money for it, you will see that this workaround required a lot of time and knowledge on many layers, not just edrumming and midi, its just fair.
Final disclaimer: this solid fix for quick foot chicks and bad transmuting artifacts won’t give you instantly your dream hihat that works/sounds like your real accoustic hihat everytime, you still need to adjust all the available settings to your playstyle, likeness and used sounds, same as before!
If you are unsure, just ask.
kenny.fowlerTD-27 user here (vh-10 hihat). Did you check which velocity values coming into SD3 for hihat cc? Most obvious reason could be the cc max value is set to 90 in the TD-27, which is the default value for the vh-10. In that case just do the hihat calibration in SD3.
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Thanked by: kachalookenny.fowlerHi Mintberry, yes I did 🙂 …I just wanted to test some settings, read about all this stuff and try to understand it before I would have reached out to you.
Am I right that your fix requires some sort of DAW beside SD3?
EDIT/UPDATE: Yes it does, found your post where you discribed it clearly.
Final question is: does it work in realtime, can I listen to the “fixed” hihat sound while I’m playing? Or is it a “postprocess” on recorded midi?
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