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Kirtland Peterson
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Topics Started: 6
Replies Created: 10
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Aloha Jack,
I am neither inexperienced nor a Luddite.
While I’m sure you’re trying to help the best you can, it’s not coming across as either helpful or respectful.
I have other places to go for answers and will no longer check this conversation.
Dr. Peterson
Aloha e Jack,
Mahalo for your answer.
It may be me, but I’ve followed much advice to the point you’ve explained, but… the final step eludes me. (That’s the explanation for the sentence you weren’t clear about.)
It would complicate a discussion to share what I do, which works.
I just know I should be able to record (i.e., make audio tracks) SD3 to separate LPX tracks in a straight-f0rward way, one that currently eludes me.
If you could help me take that last step, I’d be eternally grateful!
Mahalo!
Cat
Aloha e Jack,
First and foremost: MAHALO!
Just so I’m clear…
You can route them to whatever channels you have left in the SD3 mixer.
What do you mean by what channels I have left?
I must be stuck on the idea I’ve got 16+ SD3 mixer channels that I’m porting to only 16 Logic Pro mixer channels.
Also (sorry to be so dense):
create any additional channels you want/need in your daw to receive that audio
So the 16 SD3 channels in Logic Pro would be one “unit.”
Then I’d create aux tracks and send the “overflow” SD3 mixer signals to them, and just have to remember that, at their source, they belong together with the 16 channels?
Again, mahalo!
Cat
Aloha again BFC,
Good point — I assumed bleed was turned off by default.
Perhaps not, at least not in all cases?
If bleed is on by default… that’s a problem when bleed’s a problem… it’ll make auditioning possibilities cumbersome.
Is there any way to select “no bleed” as a default setting?
(In transitioning from EZD2 I’ve found myself turning bleed on, that or there’s no bleed option available.)
Thanks again! Appreciated.
Mahalo nui loa!
Cat
Aloha from Honolulu,
Will do.
I put “ghost notes” in inverted commas because… didn’t know what else to call it. It’s digital “chatter,” but it’s in sync… and unwanted.
I do think the real issue is moving from EZD2 to SD3 within the same project: this introduces all manner of complexities that wouldn’t have been there had I just started off with SD3 at the start.
I won’t be back in my studio for several days, maybe a week. Stay tuned.
Mahalo!
Cat
Aloha Monospace,
Mahalo. Appreciated.
I’ve tried all the suggestions, but have reconciled myself to just using a kit without the “ghost note” problem. Fortunately, there are a few kits that work great. (It seems to be a snare-choice issue, tho’ this is not 100% correct.)
Weirdly, I can make all sorts of changes you’d think would stop the percussive “chatter” dead in its tracks, but it remains (on certain grooves) — even when I can’t see the “chatter” on the MIDI. There seems to be nothing to take out.
In addition to changing kits, I can always go for simpler grooves. It’s just frustrating to choose grooves you like, but when the kit changes, those very same grooves ruin the sections they are in.
But, hey, SD3 is pretty awesome so… I can live with “it”! In future, I won’t be making the transition from EZD2 to SD3 within the same project. I’m sure that’s the real issue.
Thanks again!
Cat
Aloha,
A non-bass player, I just purchased EZ Bass.
Wasn’t sure what Audio Sender was, which brought me to this discussion.
Just to be clear, I don’t need to download/install Audio Sender, correct?
If I want to pipe audio to EZ Bass, I’d then download/install Audio Sender and do so.
But if I’m not wanting EZ Bass to read my audio, I’m good to go?
Mahalo!
Cat
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