Each instrument does have it’s own volume level to a certain degree as shown here…
But if that isn’t enough, you can look at where that cymbal instrument mic is routed through and you can adjust it there as well…In this example, I am just viewing the dynamic overhead mics, but I also have cymbals routed in the condenser mics as well as in the room mics. All of these can adjust the cymbal volume individually.
Hope that helps.
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CC4 values give smooth transitions with the hi-hat foot pedal for varying degrees of the hi-hats openness. So I did a quick drawing on what it would be like, you’ll have to play around with it for your time signature/bpm but this is what I think you are looking for. Basically start with the hit of the most open you want, then the higher the dots go in the CC4 lane, the more closed the hi-hat gets eventually ending with a closed hi-hat pedal.
PS: I am at work right now, so I remoted into my machine and I have no way to preview this audio, so this could be completely wrong. LOL.
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Thanked by: Martin, Pertcev and Billy 86You will want to adjust the decay, hold, curve slope, and release of the tom’s. I do this quite a bit as well because I don’t want some toms to ring as long as they do or be too boomy. So I adjust these settings in the envelop and offset menu.
Like this screen shot, I adjusted the floor tom to be pretty flat response with little ring…
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Thanked by: Miscreant