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Viewing 6 replies - 61 through 75 (of 3,149 total)
  • Bear-Faced Cow
    Participant

    It’s more than a simple preference. Along with that preference comes a parallel set of supporting code that has to divert and process the sound. Extra processing means more bugs and a greater chance of reintroducing instability as was mentioned in its previous revision by @MattiasEks above. This instability could wind its way back in a broader scale. Who knows. The question is not if it is possible, but if it is feasible over the 350 microseconds (worst case) that Superior Drummer needs in order to not only keep it stable but phase aligned with surrounding audio?

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    1

    Thanked by: Brad
    Bear-Faced Cow
    Participant

    Bahahahah! I just read that. Gotta love Siri dictation.

    A little Miller might just make it a like milder. Perhaps a Freudian slip on Siri’s behalf.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    Bear-Faced Cow
    Participant

    Did you prefer the pre-3.4.0 behaviour, where the reported latency was 0 at the expense of the MIDI timing being potentially off with up to 16 samples when dealing with unusual block sizes in 44.1?

    This reversion sounds reckless. 16 samples is imperceptible to the human ear, but is more than enough to introduce comb filtering and phase problems for those of us who use a DAW for its intended purposes.  Not to mention that the issue of pops and clicks within a mix is far more alarming.

    Not to mention that I believe that the 16 sample change addressed issues that other users were having.

    I want a test case with a method of reproducing the above. Otherwise I would be dead set against such a reckless revert.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    1

    Thanked by: drumjack52
    Bear-Faced Cow
    Participant

    Been catching up going through a few of your songs. You’re my thoughts on this song.

    overall, I like the groove and where the song is going. I also like the synthesizer in the song and where they are placed.

    here are my thoughts on the vocals and what I probably would have done:

    I would’ve created more contrast between the verse and the chorus. The verse has these nice female introjections. I would’ve said the vocals just above those interjections and perhaps sung it a little Miller and added a touch of reverb and echo. Not too much. For the chorus I would have kept the vocals as they are… In your face. Again, these are my thoughts.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    Bear-Faced Cow
    Participant

    In order to get brush sounds, you need to load a kit with brush articulations. MIDI groove packs are not sound. Thus they are not capable of making brush sounds on their own.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    Bear-Faced Cow
    Participant

    Especially when they come in waving. 😀

    I will admit that my favorite verse in that song is the one just after the guitar solo and police sirens. I never thought I would be using terms from my CB days.

    I can hear that LOR kit in some more songs.

    I will be checking out your songs shortly. You know I always get to them eventually.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

Viewing 6 replies - 61 through 75 (of 3,149 total)

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