You would adjust your decay to let the transient through and bring down the sustain to a level where you feel you have dampened enough of the ring. Adjust the Hold for how much dampened ring before fading out with the release. Adjust the release to taste (everything is done to taste) and add a curve to it.
Your envelope would resemble something similar to this picture (I may have exaggerated some of the points for clarity).
jord
2
Thanked by: bobbyharlow and Bobby Campbell
Aside from the fact that whatever you are playing it through is heavily compressing it (note your audio vs a raw bounced clip of the solo’d kick from SD3), you are also working with a kick that has a resonator head on, which is how it sounds when sampled. This kick has more the John Bonham type of feel if you are going for a rock type of sound. If you want something a little tighter, then there are other kicks that fit the bill.
jord