SDX idea. E-Drummer focused “Virtual” drum kit. Modern Session Drummer?

Superior Drummer 3 Help
Viewing 3 replies - 1 through 3 (of 3 total)
  • Wolfgang
    Participant

    I would second that to a certain extent. Having more options tool-wise instead of having to switch to completely different sounding kits would be a big benefit for e-drummers. Of course not in every style and with every drum. But let’s say with some of the favourites – a modern sounding DW, some vintage Ludwig, alltimers like a Recording Custom. Examples being the Songwriter Kit from Stories, the Modern Kit from the Jazz Sessions or the Hillside Kit from R2R.

    I wouldn’t go so far as to switch head types or dampening, that would mean a huge amount of effort for too little effect. You can get pretty far with the velocity curves to shape attacks and releases.


    Superior Drummer 3 version: 3.4.0
    Operating system: macOS Sequoia (15)
    drumjack52
    Participant

    I feel where you’re coming from. Felt mallets for cymbal swells/rolls and not just sticks. Or felt mallets for rack and floor toms. Or how about an SDX that just has a plethora of cymbals and tools used. fxpansion did just that with at least one library with Zildjian cymbals. Yeah you could pull cymbals from the different SDX’s one owns but they’d all sound different because of where and how they were sampled. Would be nice to have a uniform sound.

    You mention velocity levels – does anyone know how many levels are used in a typical SDX? Are they the same across all SDX’s?

    Jack
    aka musicman691 on other forums
    Superior Drummer 3.4.1
    Area 33 1.0.0
    Death and Darkness 1.0.1
    PT 2021.6
    OSX 10.13.6
    3.46 GHz hex core 2012 MacPro 48 gig ram

    pumpkinking
    Participant

    When I read your request, I thought “isn’t that what Core is?”

    Everyone is different, and I personally lean toward the SDXs with more personality and variety.  What I do most is play the e-drums, I don’t record often and I try to minimize the time I’m at the kit with a mouse in my hand (I get enough of that 9-5). So the SDXs with more “terroir” (borrowing a wine term) appeal to me.  I can quickly flip through rooms/kits that I have tweaked based on my own biases (darker cymbals, deep snares, resonant kicks) but all sound very different due to room shape, mic placement, dampening/tuning, sound path, etc.  I’m not talking about presets, I’m talking about the sound of an SDX “room” even with the default kit loaded.  Case in point: when an SDX is recorded with a “corridor”, “stairwell” or other remotely-located mic, I like bringing a little bit in – it is a colorful room sound that sounds better and is easier to use than complex reverb effects (for me, anyway).

    I don’t use Core much unless there is hardware I’d like to try and my pile of SDXs do not have it (rods/brushes are a reason, although between Decades and Jazz Sessions there are some interesting options).  I find Core to be well recorded, but lacking in a unique sound, and it requires work to get it there.

    To each his own, and I’m not discounting your request, merely offering my perspective on why the producer SDXs tend to provide me with a good experience.  With the myriad options of kit pieces, brands/styles, kit tuning/dampening, mic placement/hardware, sound treatment, etc, any SDX that was aimed at showcasing the e-drum dynamics of a single kit would have to make concessions that would be good for some but not for others, IMO.


    Superior Drummer 3 version: 3.4.1
    Operating system: macOS Sequoia (15)
Viewing 3 replies - 1 through 3 (of 3 total)

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