OH Mic’d track – any tips & tricks?

[Vince Ashby]

Hi – I am very new to Tracker and trying to get up to speed asap. I have imported separate close mic’d tracks for
bass, snare, HH, and toms, and these tracks were already heavily edited – muting out the bleed. So, Tracker handled
these like shooting fish in a barrel. However, when imported the Overhead Mic’d performance, I am not having a lot of luck
dissecting the cymbals out of the bleed of bass, snare, and HH. I have made a couple attempts of detriggering these sounds &
playing with the active articulations, but after doing so, I am not left with much. The performance is a “rock-samba” with a cymbal
performance that is pretty busy in sections with ride/bell combos and intermittent crashes.
Any advice as to how I can cleanly get this performance separated out? Thanks!

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