Large differences in instruments between SDX expansions

Superior Drummer 3 Help
Viewing 5 replies - 1 through 5 (of 5 total)
  • bpjacobsen
    Participant

    Each library was recorded in a different location using different equipment. As for why there’s such a substantial difference in volume I wonder the same thing because it does make it a little bit challenging at times. No I have managed to get used to just adjusting as needed. Usually you can adjust volume in the drum screen and the mixer screen. In some cases I have had to for instance adjust the volume on the mixer for the hi-hat. Because even in the drum screen with it turned all the way up it wasn’t loud enough.

    1

    Thanked by: etheory
    drumjack52
    Participant

    I adjust in the drum screen first to make the level fit the music. I never really look at what the level is that shows in the mixer. To be honest I never use SD3’s mixer for mixing or effects as I output each kit piece or group of pieces (say rack toms)  to individual outputs to go to my daw. And any effects are in ProTools – I treat SD3 drums like I do real drums. The only adjustments I make in the SD3 mixer are for individual mics for a kit piece and bleed.

    Jack
    aka musicman691 on other forums
    Superior Drummer 3.4.1
    Area 33 1.0.0
    Death and Darkness 1.0.1
    PT 2021.6
    OSX 10.13.6
    3.46 GHz hex core 2012 MacPro 48 gig ram

    1

    Thanked by: etheory
    Bear-Faced Cow
    Participant

    All of the packs you purchased are from different producers from different genres recorded in a different studios using different recording chains and recording techniques. So yes, the differences are expected.

    You would handle it just like any other audio recording: gain staging and a certain amount of audio “trickery“ to make your mix a sound cohesive. This is where some of the features, such as stacking and mic routing, as well as FX within Superior Drummer come into play. And where Superior Drummer leaves off, your DAW takes over (which is at your discretion).  Everyone has different ways of handling this as noted on this thread. As for me, I handle it within the context of the song at hand. There is no one a size fits all.

    jord


    Jordan L. Chilcott

    Web Site: https://jordanchilcottmusic.com/

    2

    Thanked by: drumjack52 and etheory
    Mark King
    Participant
    BEST ANSWER

    I mix and match and adjust each level on the main page so the sliders in the mix tab are all still in the same place. I then save as a preset with a new name. I mostly create my own kits and rarely use a preset. If I do use a preset I will change it to suit what I’m doing then save under an appropriate name.

    SD3 with older sdx,s plus Rooms of Hansa and Death & Darkness. Cubase and wavelab current versions. Roland TD50x using all trigger inputs for triggering SD3 only. Windows 11 computer. Various keyboards and outboard gear as well as VST instruments. Acoustic drums: Yamaha 9000 natural wood and Pearl masters. Various snare drums. RME BabyFace Pro FS and Adam A7X monitors

    1

    Thanked by: log0ut
    etheory
    Participant

    Thanks all, I really appreciate the advice.

    I was hoping that Toontrack would have provided some kind of guidelines for the SDX makers to follow, in order to ensure the product feels like a cohesive whole, and things all work together. They could have had some kind of post-normalization process for volume, but I guess they didn’t.

    Thanks again, much appreciated. I think I’ll go through and make my own custom presets with normalized volumes to make switching easier.

Viewing 5 replies - 1 through 5 (of 5 total)

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