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EDIT/UPDATE: I just found out here that I’m not the only one, better to continue here:
https://www.toontrack.com/forums/topic/non-smooth-transition-between-hi-hat-samples/
Hi!
I’m new to edrums and looking for advice: when playing my hihat semi-open, the hihat gets slightly tilted up and down on every hit, pretty normal, but this tilt pushes also the control unit slightly up and down which is recognized by SD3. When this happens on the border of two articulations, or on tight articulation zones, I think the transmuting feature kicks in and trys to play all those triggered articulations up and down… and this just sounds weired/wrong, like open2 is cutoff, then open3 is played, and then back to open2 (and this on every single hit)… when I play near tight zones, like in the area of closed, open1 and 2, these three articulations are played up and down in an unrealistic manner.
Playing tight or closed works perfect, also splashes or opening the hihat after a hit on closed (here the transmuting shines!) is great.
Is there a “best practice” on this? I want to play tight and closed, but on some parts of the song I need a very semi-open hihat to play a rocking groove, but this sounds weired because the sound is wobbling between two or three articulations up and down and transmuting makes the hihat sound unrealistic.
Is there a misconfiguration on my side, is there a setting in SD3 I missed? Or is this a known drawback with edrums, do I need to adjust the articulation zones to my playstyle (like wider open-zones?) AND also adjust my playstyle to edrums (like playing the hihat pedal with “zones” in mind)?
Thanks!
Hi Mintberry, yes I did 🙂 …I just wanted to test some settings, read about all this stuff and try to understand it before I would have reached out to you.
Am I right that your fix requires some sort of DAW beside SD3?
EDIT/UPDATE: Yes it does, found your post where you discribed it clearly.
Final question is: does it work in realtime, can I listen to the “fixed” hihat sound while I’m playing? Or is it a “postprocess” on recorded midi?
Final question is: does it work in realtime, can I listen to the “fixed” hihat sound while I’m playing?
Yes of course: it’s a fix for e-drumming. 🙂
1
Thanked by: kenny.fowlerSo, after a looooooot of research, lots of trial and error, trying to optimize my hihat settings on the TD-27 and in SD3, I gave MintberryCrunch’s fix a shot.
And it worked pretty well.
During the lengthy setup session/chat he also explained a lot of new things to me, gave me some advices and additionally improved my latency (yay!)… so no regrets on my side.
You get a DAW project, preconfigured with SD3 and his workaround, which also needs some extra files which you get from him. Its solid.
If you struggle and annoyed like me, reach out to him, he’s ok, a passionated pro …and yeah, dont blame him he takes money for it, you will see that this workaround required a lot of time and knowledge on many layers, not just edrumming and midi, its just fair.
Final disclaimer: this solid fix for quick foot chicks and bad transmuting artifacts won’t give you instantly your dream hihat that works/sounds like your real accoustic hihat everytime, you still need to adjust all the available settings to your playstyle, likeness and used sounds, same as before!
If you are unsure, just ask.
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