Agree about the issues with EZKeys lack of updates. Similar issue to the ever promised, never finished EZBass that’s supposed to arrive in 2019. Toontrack may be having some real product development/technical snags. I can understand, just would be nice if they’d talk about it.

+1, I have been an advocate for EZKeys 2.0 for years.  Still waiting, but I am not getting any younger.

I assure you that we haven’t abandoned the EZkeys software line. If we could we would constantly update all our software, but the problem is that we aren’t a huge company that can put those resources to both update all older software and come up with new ones simultaneously. We have to prioritize some, and during some parts of time, some software will have to wait to get the next big version released. But, as I said, we haven’t abandoned our keys users!

And regarding all feedback we get, we gather everything and evaluate it, and take it into consideration for coming versions, so you aren’t speaking out to noone 🙂

Henrik Ekblom wrote:

I assure you that we haven’t abandoned the EZkeys software line. If we could we would constantly update all our software, but the problem is that we aren’t a huge company that can put those resources to both update all older software and come up with new ones simultaneously. We have to prioritize some, and during some parts of time, some software will have to wait to get the next big version released. But, as I said, we haven’t abandoned our keys users!

And regarding all feedback we get, we gather everything and evaluate it, and take it into consideration for coming versions, so you aren’t speaking out to noone 🙂

Well I am surprised.  I did not realize the size of the company.  Your product line seems to indicate a much larger company.  So this explains a lot to me regarding why we have never seen EZKeys 2.0.   Obviously the EZdrum line has been the flagship.

Here is a bit of company background from the website:

What began as an experiment ended up as Drumkit From Hell – a collection of drum sounds that would come to change the face of the industry. “We just wanted great sounding drums for our own songwriting. We had no aspirations of even selling it in the first place”, says Mattias Eklund, Toontrack’s co-founder.  That was some fifteen years ago. But instead of being a two-man operation and having an “office” in the bedroom of Mattias’ apartment, Toontrack now employs almost 30 people in four countries and continues to spearhead innovation of creative tools for songwriters around the world.