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Home / EZmix Line / EZmix Packs / Country Guitars EZmix Pack
EZmix Line
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Country Guitars EZmix Pack
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Country Guitars EZmix Pack

FOR THE PICKY PICKER.

50 unique tones for electric guitar – all capturing a distinct country sound.

USD49

SKU: TT341 Categories: EZmix Line, EZmix Packs Tags: country, guitar-2, guitar-bass

The Country Guitars EZmix Pack presents a diverse collection of settings for all walks of vintage and modern electric country guitar. It comes with 50 unique, mix-ready tones based on amp/cab simulation and various chains of effects. In this pack, you get a wide array of tones covering anything from clean, up-close and intimate to dirty, mean and big – all designed to capture the broadest possible definition of electric country guitar.

From the tube-oozing, plate and spring reverb-soaked tones for your next slow song to the rugged, transistor-fuming settings for your picking leads – this collection covers the whole gamut from vintage to modern.

FEATURE SPOTLIGHT
  • 50 unique, diverse mix-ready electric guitar tones
  • All settings based on amp/cab simulation
  • Signal chains involve analogue tape simulation, reverbs, delays and much more
  • Tones ranging from dry to saturated, from clean to dirty

AUDIO DEMOS

AUDIO DEMOS

THREE REASONS TO USE
EZMIX 2.

Songwriter or producer in need of great-sounding mixes fast? Rikk lays down his top three reasons as to why you should check out EZmix 2.

PLAYTHROUGH.

We asked two of our guitar and country music aficionados, sound designer Ulf Edlund and art director Ulf Larsson, to road test the Country Guitars EZmix Pack in this custom written track.

WALKTHROUGH.

Learn all about the rich variety of tones that come with the Country Guitars EZmix Pack for EZmix 2.

uffe_studio

ULF EDLUND
– THE MAN BEHIND THE AMPS.

Tell us a little bit about the inspiration behind creating this collection of guitar tones.
– It was a challenge, because so much of the most significant country guitar tones come from the player. Country is a wide term though, and it has changed a lot over the decades. The stereotype is probably a Tele through a Twin, but there’s a lot more to it than that. Western swing, Buck Owens and the Bakersfield sound, the ’70s “outlaws”, modern traditional country. Alternative country and Americana and more. Having that picture clear, there was a lot to dig into. Enough that we decided to keep the pack entirely amp-simulation based.

In short, how is a guitar effect chain for an EZmix Pack actually created?
– It’s not so short, because there’s a lot that goes into making each setting. What we are creating are emulations of mic’ed and recorded amps, so a common signal chain might start with some sort of pedal, then into an amp, followed by a speaker, which is really an impulse response of a speaker, mic and preamp chain. Then maybe some “outboard” effects and mixer EQ. The order that we place the different components in the chain varies and matters a lot too. For example, many amps have the tremolo after the spring reverb, so if i’m after reality that’s how I’ll place them. Then you assign various parameters to the two control knobs. What happens under the hood is often a lot more complex than just turning these two knobs. For instance, if a preset goes from clean to distorted, it might have the “Drive” knob altering the amp EQ as well since you most likely would use different settings for your clean and distorted sound.

There are settings designed for specific guitar models and pickups – even steel guitar. Why was this important?
– You have heard it before. The tone is in the hands, and it’s true. Then it’s in the instrument, and then the amp – and then it’s how it’s recorded. Since the “hands” and guitar are up to the player, we can focus on the rest of the chain and it’s easier to create something specific when we know if we are sculpting for a Stratocaster, pedal steel or a 335.

You are also an accomplished steel guitar player, which is pretty unusual for a native Swede. How did you get hooked on this instrument?
– Guess i was damaged as a kid. (laughs). Well seriously, i got hooked to the sound at an early age, long before i started playing an instrument really, and i’ve been fascinated ever since. Then I sort of evolved from slide guitar to lap steel, Dobro and eventually I could not resist getting into pedal steel guitar.

You are an avid guitar and amp collector. Pick a few favorites from your collection!
– Out of the couple of dozens guitars i have ever owned, my favorite is actually a 1982 Squier Telecaster. I have a bunch of good ones, a 1963 Gibson SG Special that sounds fantastic, but that old beat up Squier will always be special to me. An amp that never ceases to amaze me is my little 12 watt Tweed Deluxe. Sounds huge, and with just a volume and a tone knob I can still get most sounds I want out of it.

Finally, best guitarist ever?
– Depends what day it is. There are so many different qualities: expression, tone, personality etc. I’ve been through periods of wanting to sound like all kinds of players from Michael Schenker to BB King, Stevie Ray Vaughn, JJ Cale, Sonny Landreth – and the list goes on. One very underrated player in my book is Larry Crane. Everything I’ve heard him play, both with Mellencamp and later is first class.

THE PRESETS.

Name Instrument Type
Bakersfield Guitar Electric Amplifier
Chimey Grit Guitar Electric Amplifier
Clean DD Chorus Guitar Electric Amplifier
Clean Eights Delay Guitar Electric Amplifier
Clean Picker Guitar Electric Amplifier
Clean Room Guitar Electric Amplifier
Clean Slapback Guitar Electric Amplifier
Clean Spring Guitar Electric Amplifier
Clean Tele Comp Guitar Electric Amplifier
Clean Tele EQ Guitar Electric Amplifier
Clean Tremolo Guitar Electric Amplifier
Crunch DD Chorus Guitar Electric Amplifier
Crunch Slapback Guitar Electric Amplifier
Crunchy Overdrive Guitar Electric Amplifier
Delta Drive Guitar Electric Amplifier
Driven Rhythm Guitar Electric Amplifier
Dry Clean Tele Guitar Electric Amplifier
Dynamic Solid State Guitar Electric Amplifier
Fat Tele Bridge Guitar Electric Amplifier
Green OD Dry Guitar Electric Amplifier
Green OD Reverb Guitar Electric Amplifier
Gritty Guitar Electric Amplifier
Humbucker Clean Guitar Electric Amplifier
Humbucker Twang Guitar Electric Amplifier
Jazzy 335 Guitar Electric Amplifier
Jazzy LP Guitar Electric Amplifier
Lead Room Guitar Electric Amplifier
Lead Sync Delay Guitar Electric Amplifier
Mellow 335 Guitar Electric Amplifier
OD Delay Fourths Guitar Electric Amplifier
Outlaw Phaser Guitar Electric Amplifier
Overdrive Guitar Electric Amplifier
Overdrive Lead Guitar Electric Amplifier
Phased Guitar Electric Amplifier
Pickin’ a Chicken Guitar Electric Amplifier
Prince-Tone 121 Guitar Electric Amplifier
Prince-Tone Reverb Guitar Electric Amplifier
Prince-Trem Reverb Guitar Electric Amplifier
Pushed Single Coil Guitar Electric Amplifier
Semi-Clean Guitar Electric Amplifier
Semi-Dirty Guitar Electric Amplifier
Soft and Clean Guitar Electric Amplifier
Steel 15 Guitar Electric Amplifier
Steel Now Guitar Electric Amplifier
Steel Then Guitar Electric Amplifier
Taped Delay Crunch Guitar Electric Amplifier
Taped Dry Drive Guitar Electric Amplifier
Taped OD Delay Guitar Electric Amplifier
Taped Overdrive Guitar Electric Amplifier
Yakety Axe Guitar Electric Amplifier

MAKE YOUR OWN 6 PACK.

MAKE YOUR OWN
6 PACK.

Assemble your dream-team of expansions right away – get the core software bundled with six EZmix packs. Get more, pay less!

Assemble your dream-team of expansions right away – get the core software bundled with six EZmix Packs. Get more, pay less!

BUNDLE UP

MAKE YOUR OWN 6 PACK.

Assemble your dream-team of expansions right away – get the core software bundled with six EZmix packs. Get more, pay less!

BUNDLE UP
MAKE YOUR OWN 6 PACK.

Assemble your dream-team of expansions right away – get the core software bundled with six EZmix packs. Get more, pay less!

BUNDLE UP
SYSTEM REQUIREMENTS.

This is an expansion product that requires a working copy of EZmix 2 to operate.

EZmix Line

EZmix 2

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Ambient Delays EZmix Pack

Ambient EZmix Pack

Ambient Reverbs EZmix Pack

Amps EZmix Pack

Andy Sneap EZmix Pack

Bass Toolbox EZmix Pack

Big Rock Guitars EZmix Pack

Blues Guitars EZmix Pack

Bob Rock EZmix Pack

Chuck Ainlay EZmix Pack

Cinematic FX EZmix Pack

Cinematic Guitars EZmix Pack

Classic Amps EZmix Pack

Colin Richardson EZmix Pack

Compression & Saturation EZmix Pack

Core Expansion EZmix Pack

Country Guitars EZmix Pack

Death Metal Guitars EZmix Pack

Dirt EZmix Pack

Drums Toolbox EZmix Pack

Electronic EZmix Pack

Filters & Modulation EZmix Pack

Forrester Savell EZmix Pack

Indie Guitars EZmix Pack

JamTrack Amps EZmix Pack

Jazz & Fusion Guitars EZmix Pack

Lead Vocals 2 EZmix Pack

Lead Vocals EZmix Pack

Lo-Fi EZmix Pack

Mark Lewis Metal Tones EZmix Pack

Mark Needham EZmix Pack

Mastering EZmix Pack

Mastering II EZmix Pack

Metal Amps EZmix Pack

Metal Bass Beasts EZmix Pack

Metal EZmix Pack

Metal Essentials EZmix Pack

Metal Guitar Gods 2 EZmix Pack

Metal Guitar Gods 3 EZmix Pack

Metal Guitar Gods 4 EZmix Pack

Metal Guitar Gods EZmix Pack

Michael Ilbert EZmix Pack

Mick Guzauski EZmix Pack

Modern Metal Guitars EZmix Pack

Modern Pop/Rock EZmix Pack

Neil Dorfsman EZmix Pack

Peter Henderson EZmix Pack

Randy Staub EZmix Pack

Reggae EZmix Pack

Rock EZmix Pack

Rooms and Verbs EZmix Pack

Songwriters Tools EZmix Pack

Soundscapes EZmix Pack

The Mix Toolbox EZmix Pack

Vocal Toolbox EZmix Pack

Bundles

EZmix 2 Bundle

EZmix 2 Complete Production Bundle

EZmix 2 Metal Bundle

EZmix 2 Rock & Metal Guitar Bundle

EZmix 2 Top Producers Bundle

EZmix 6 Pack Bundle

EZmix Complete Production 6 Pack

EZmix Metal 6 Pack

EZmix Rock & Metal Guitar 6 Pack

EZmix Top Producers 6 Pack

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*All other manufacturers’ product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack.
These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sampled for Toontrack sound library development.
For a list of current owners of each of these trademarks click here.
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