VALVE DISTORTION BOX.

In this article, I’ll cover a few tips to getting gritty hard-hitting rock drums with my personal favorite plug-in in the mixer, the Valve Distortion Box.

Its initial subtleties may cause this distortion plug-in to be overlooked, but after digging a bit deeper into its features I’m sure that all readers will share my affection for this distortion powerhouse.

First, some backstory. The Valve Distortion Box is a meticulous model of a hardware distortion unit that is a mainstay at mastering studios and high-end mix rooms around the world.

I won’t go through all of the Valve Distortion Box’s features (as the manual does a good job of that), instead I’ll provide a few real-world examples for where you might want to use this amazing plug-in.

Subtle example
The subtle example pertains to the first Valve Distortion Box insert on the Master channel. In order to hear its effect, you must first turn on the first insert of the master channel.

For a subtle lift type of saturation, I’ve chosen the MD4 style of distortion from the drop down menu. The “M” category of distortion options all shift the mid-range in the audio signal slightly and particular selection really seems to bring out the “crack” of a snare drum, and it gives the drums more of a rock tone that will easily cut through a mix. When previewing the included groove in the downloadable session, play with the Drive control – either adding or taking away drive to hear its tonal effect.

Not-so-subtle example
The not-so-subtle example pertains to the second Valve Distortion Box insert on the Master channel. In order to hear its effect you must first turn on the second insert of the Master channel and turn off the first.

Here the Overdrive button is engaged and a low pass filter is used for more of a low-fi effect. The distortion type is set at P2 which is a tube-style distortion that really thickens up the sound. Of course, in this example it is used to the extremes, but it can also be made much more subtle if desired by reducing the Drive control and turning off the low pass filter.

The Master fader is a great place to start with this plug-in as it really highlights its strengths and unique sound. Once you are comfortable with it on your master, it can be used more creatively to bring out individual channels in a mix.

Read more about the Valve Distortion box here.

DOWNLOAD PROJECT FILE

Mike Sanfillipp


NEW DRUM MIDI RELEASE.

Groove foundations for dramatic scenes, soundscapes and songs.

NEW DRUM MIDI RELEASE.

More than 700 fills, tailored for fusion.

HOW TO PROGRAM A HI-HAT FROM SCRATCH IN SUPERIOR DRUMMER 3.

Some tips and tricks for programming hi-hat MIDI in Superior Drummer 3.

SUPERIOR DRUMMER 3 & E-DRUMS.

Check out e-drum master Luke Oswald as he shows the incredible detail of the Superior Drummer 3 core library.

RECREATING THE “BLACK ALBUM” DRUM SOUND.

Can we recreate the iconic Metallica drum sound?

GET DRUM PARTS DOWN FAST.

Dan Cooper from Pro Tools Expert gives you his workflow for getting drum parts down quickly with Superior Drummer 3.

INSIDE: THE LUDWIG CLASSIC & CONCERT KITS.

Fredrik Thordendal of Meshuggah let us sample his unique Ludwig kits…and they are MONSTERS!

WRITING PHRASES & FILLS WITH SEAMLESS.

Get inside the head of electronic guru Seamless and learn about his thought process when writing beats and fills.

TRACKER TEST WITH MIXBUSTV.

Watch the folks over at MixbusTV give Tracker a proper test in this real-world example of drum replacement.

THREE QUESTIONS TO...

Norman Garschke, the drummer behind the core MIDI library in Supeiror Drummer 3.

ARTIST PROFILE: DIRK VERBEUREN.

Meet Megadeth drummer and longtime Toontrack artist/collaborator Dirk Verbeuren!

ORGANIC DRUMS IN A HIP-HOP TRACK.

Sean Divine shows how he uses Superior Drummer 3 to add an organic-flavored beat to one of his tracks.

No products in the cart.

×