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10 QUICK QUESTIONS TO COLIN RICHARDSON.

Few producers are cited as pioneers, for having helped shape the sound of a genre or generation of bands. With landmark releases by the likes of Slipknot, Machine Head, Carcass and many others, British Colin Richardson is undoubtedly one of them. We were fortunate enough to snag him for the Made of Metal EZX a couple of years back…and now for a few quick questions!

How did you get started in the business and how come you ended up behind the console as opposed to on stage?
– I got started as a studio engineer and worked my way up to producer. I never wanted to be in a band, the studio side of things interested me more.

You didn’t start out making heavy metal records. How come you steered in this direction?
– I was engineering some punk and goth bands, then the metal  label Earache Records started using the studio I worked at. I enjoyed working on the early death metal music, so it became a logical progression.

Looking back, is s there a specific moment or project that helped push you on to the next level, working with bigger acts?
– I think it was the Machine Head album “Burn My Eyes”. It became successful, and with that success came bigger projects.

You have worked non-stop making records since the 1980s. Do you ever get tired?
– Only at 2am in the morning!

If you weren’t producing records, what would you do?
– Be very afraid!

In a mix, where do you usually start: the drums, guitars, vocals or something else?
– Usually with the drums, but keep checking them to the guitars and bass in the early stages…then get the backing track rocking…then work on the vocals.

Is there any instrument you generally struggle with more than any other in a mix?
– Bass guitar. I always have trouble sitting it – and then trying to achieve a massive guitar sound. I think I have got better with bass over time, though!

Name a few productions from your catalogue that you feel particularly proud of.
– The latest  Bullet for my Valentine album “Venom” came out really good. I like to think I have given 100 percent to all the projects I have worked on.

If you produced an album that you couldn’t mix yourself, who’d be the first name on your list for the gig?
– Chris Lord Alge or Andy Sneap!

Best studio moment ever?
– My first big royalty check!

Worst studio moment ever?
– None really, i have been really fortunate!

SOME OF COLIN’S WORK.



WANT COLIN’S DRUM SOUNDS?

Check out the Made of Metal EZX for EZdrummer 2 here.


SHARE YOUR DRUMS OF DESTRUCTION EZX SONGS!

Already recorded new or remixed any songs using the Drums of Destruction EZX? Let the world hear you!

HARDCORE MIDI VIDEO INTERVIEW.

Matt Byrne of Hatebreed comments the latest drummer to join our ranks of MIDI artists!

PRODUCER PROFILE: DREW FULK.

Producer, mixer and engineer behind bands like Motionless in White, Bullet for My Valentine and many more!

ARTIST PROFILE: JOSH RAND.

Meet Josh Rand, guitar player in Stone Sour and avid Toontrack user!

MEET PÄR OLOFSSON – THE COVER ARTIST.

Meet the man behind the cover art for several of our Metal Month-related releases through the years!

NEW DRUM MIDI RELEASE.

We’re proud to present the Hardcore MIDI pack by Matt Byrne of Hatebreed!

ARTIST PROFILE: ASH PEARSON.

Meet Ash Pearson, Superior Drummer 3 user and drummer in death metal titans Revocation!

THE DRAG & DROP CHALLENGE.

What happens if you drag and drop grooves at random from Superior Drummer 3…and write a song to the result?

DRUMS OF DESTRUCTION EZX WALKTHROUGH.

Learn all about the facts and features of the Drums of destruction EZX!

GUITARCEPTION: THE TESSERACT DRUM CHALLENGE.

This year, you write the drums!

NEW EZMIX PACK RELEASE.

50 custom settings from the man who defined the sound of an era: Bob Rock.

FLUFF’S SUPERIOR DRUMMER 3 WORKFLOW.

Ryan “Fluff” Bruce from Riffs, Beards & Gear breaks down his workflow.

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